SS25
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opening show brand show

DYCTEAM Raimochi DYCTEAM Raimochi

Story Wear Fish Wang Story Wear 王登鈺

RAY CHU michun RAY CHU michun

.67ARROW SAITEMISS .67ARROW 低級失誤

TANGTSUNGCHIEN Sammi TANGTSUNGCHIEN 夏仙

#DAMUR wei wei boy #DAMUR wei wei boy

opening

Hey, does your inner child want to come out to play today?

Are you lying on a cloud, daydreaming,
Or skating toward the rainbow?
Did you meet any fairies while passing through the mysterious forest?Who lives in that pink-colored world?

Imagination is a superpower,
Chasing the surreal in the real world.
Those with magic sway the best.

嘿,你內心的小孩今天想要出門玩耍嗎?

是躺在白雲上,做白日夢
還是踩著滑板,溜向彩虹
穿越神秘森林的時候,有沒有遇見精靈
粉紅色的世界裡,都住著一群什麼樣的人

想像力是超能力
在現實裡追尋超現實
擁有魔法的人最搖擺

Define Your Character 定義自我 (DYCTEAM Raimochi) (DYCTEAM Raimochi)

Centered on the concept of "Define Your Character," DYCTEAM creates a unique style that combines practicality and warmth through careful observation of daily life, using functional materials and denim jacquard designs. Meanwhile, Raimochi transforms moments from Taiwanese streets into vivid and resilient images with bold colors and striking illustration styles. In this collaboration, DYCTEAM maintains its signature minimalist and steady foundation while incorporating Raimochi’s unique perspective. Scenes like crossing the street in Taiwan and the bold contrast of colors reflect the rhythm of music and the relentless effort found in everyday life. No matter the challenges or changes in the background, the spirit of moving forward with determination echoes DYCTEAM's ethos of "Define Your Character." The illustrated characters—Kumakichi, Usami, and Nekota—symbolize individuals exploring the line between reality and fantasy. Through their fusion with fashion, these characters' distinct styles and attitudes are further highlighted. The collaboration series not only manifests the practicality and aesthetic of the clothing but also uses the visual language of illustrations to convey messages of "Define Your Character" and "moving forward freely." It empowers wearers to find their own rhythm in everyday life and face the future with a powerful stance.

Designer FLY
Driven by a passion for design and a keen observation of life, FLY has led the brand to international stages, both dynamic and static, in cities like Taipei, Paris, Berlin, Shanghai, and Tokyo. Recognized by GQ International Chinese Edition and Drapers as one of the most noteworthy brands, FLY has also engaged in impressive cross-national and crossindustry collaborations. The brand has been honored with prestigious awards such as the Golden Pin Design Award and the German iF Design Award, manifesting its outstanding achievements in international design. FLY draws much of its inspiration from everyday life, emphasizing a balance of functionality and aesthetics in its designs. Through minimalistic and practical creations, the brand conveys confidence and attitude, driving the development of sustainable fashion and paving the way for a continuously evolving future.

Artist Raimochi
In 2014, Raimochi started the illustration brand “Raimochi.” Known for hers expertise in creating event key visuals. Raimochi's style is bold, vibrant, and richly colored. She keenly observes and captures subtle moments of confusion, missteps, and barely visible wounds, transforming them into uniquely characterful landscapes. Her illustrations often feature characters like Kumakichi, Usami, Nekota, and a host of sheet ghosts, who replace humans in a continuous exploration of the real and the surreal.
以「定義自我」為核心的DYCTEAM,透過對日常生活的細膩觀察,運用機能性素材與丹寧緹花設計,打造出兼具實用性與溫度的穿搭風格;無所謂少年則以鮮豔色彩與強烈的插畫風格,將臺灣街頭的瞬間轉化為充滿音樂與韌性的畫面。 這次合作中,DYCTEAM 在一貫的簡約沉穩基礎上,融入了Raimochi的獨特視角,像臺灣過馬路的場景和色塊的強烈對比,表現出音樂的節奏感與日常生活中的努力不懈,無論背景中的挑戰或變遷,始終堅定前行,這正與DYCTEAM「定義自我」的精神呼應;而插畫中的角色熊吉、兔美、貓太,則象徵著在現實與虛幻中探索的個體,透過與時尚的融合,更展現這些角色獨特的風格與態度。聯名系列不僅展現了服裝的實用性與美感,還通過插畫的視覺語言傳遞「自我定義」與「自由前行」的訊息,讓穿著者在日常生活中找到屬於自己的節奏,並以充滿力量的姿態迎接未來。

設計師 FLY
憑藉對設計的熱忱與生活細膩的觀察,FLY 帶領品牌走向國際,包括臺北、巴黎、柏林、上海和東京等動、靜態國際舞台,不僅獲得《GQ 國際中文版》及《Drapers》評為最值得關注的品牌,更有豐富的跨國、跨界精彩合作,榮獲金點設計獎、德國iF 設計獎等殊榮,展現出卓越的國際設計成就。FLY 的靈感多來自日常生活,設計中注重實用與美感的平衡,透過簡約且機能性的作品傳遞自信與態度,推動可持續時尚的發展,為品牌開創不斷前進的未來。

藝術家 Raimochi
2014 年開始經營插畫品牌Raimochi。擅長活動主視覺繪製,色彩鮮艷豐富,能纖細地觀察並捕捉微小的迷惑、不小心踏錯的步伐、幾乎看不見的傷口,並轉化為性格獨特的風景,以熊吉、兔美、貓太與一大堆被單鬼為插畫主體,代替人類在現實與虛幻中不斷探索與挖掘。

ONE LIFE 生命起點ONE (Story Wear Fish Wang) (Story Wear 王登鈺)

Taiwan's only zero-waste fashion brand, Story Wear, will unveil its 2025 collection titled【ONE】at Taipei Fashion Week. Drawing inspiration from 【ONE LIFE】, the chapter of life, this collection reflects the challenges and adventures encountered during the entrepreneurial journey. Collaborating with artists who uphold strong convictions has always been a key factor in Story Wear's selection process. Fish Wang hopes to use animation to shed light on the obscure paths of Taiwan's history. Through animation, he revisits the bloodstained periods of Taiwan's past, not to view history pessimistically, but to let the past nourish the future. Similarly, Story Wear transforms old materials into elements that nurture the future, creating a beautiful and sustainable fashion industry. 【ONE LIFE】captures the essence of "Fish Wang Orange," evoking the twilight glow of a bygone era and setting the tone with PANTONE hues. This unique color runs through the entire collection, defining "Fish Wang Orange" as the whole collection..

Designer Chen Guan-Bai & Chen Min-Fen
Chen Guan-Bai & Chen Min-Fen. Designer Chen Guan-Bai founded the zero-waste fashion brand "Story Wear," collaborating with Chen Min-Fen to create fashion pieces that "produce zero waste." Over its six-year journey, Story Wear has remained steadfast in its mission, combining the concepts of environmental sustainability, fashion, and social enterprise. The brand continues to drive the growth of sustainable fashion in Taiwan, nurturing the concept of eco-friendly fashion on the island.

Artist Fish Wang
Since 1987, Fish Wang has been creating animations and, also doing side projects of illustrated books, shor t stories, and 3D sculptures. His internationally recognized award-winning works include: "Goldfish" – Best Animated Short Film at the 2019 Golden Horse Awards. "Red Tail" – Crystal Award at the 2023 Annecy International Animation Film Festival. "Ghost of the Dark Path" – Best Animated Short Film at the 2023 Taipei Golden Horse Awards, and 2024 Clermont-Ferrand International Short Film Festival, France.
臺灣唯一的零廢時裝品牌 Story Wear,將於臺北時裝週推出其 2025年全新系列【ONE】,並以【ONE LIFE】生命篇章為創作起點,描繪了創業過程中的艱辛與冒險。與有著信念堅持的藝術家合作,一直是 Story Wear 選擇藝術家重要的關鍵。王登鈺希望透過動畫,讓臺灣歷史的幽暗小徑被看見,藉由動畫回溯臺灣歷史那段染上鮮血的時期,不是悲觀地看著歷史,而是讓過去成為未來的養分,Story Wear也是將過去的舊物,轉化成為未來的養分,成就的是未來的美好時尚產業。【聯名系列】刻畫呈現舊時代的黃昏暈光,定調出PANTONE色系,將此線材色系延伸成「登登橘」點亮全系列商品。

設計師 陳冠百 & 陳敏芬
陳冠百 & 陳敏芬。陳冠百創立零廢時尚品牌「Story Wear」與陳敏芬一起創作「不製造垃圾」的時裝單品。Story Wear 一路走來始終如一,創業六年,致力於將永續、時尚與社會企業三個概念結合,以升級設計為核心,推動永續時尚在臺灣與國際發展。

藝術家 王登鈺
1987 年起開始做動畫至今,業餘也做圖文書、短篇小說、立體雕塑。知名國內外國際大獎得獎作品:「金魚」2019 年金馬獎最佳動畫短片、「紅尾巴」2023 安錫影展水晶獎、「幽暗小徑的鬼」2023 年台北金馬獎- 最佳動畫短片、2024 年法國克萊蒙費宏短片國際影展。

Vibrant park dance floor 活力公園舞池 (RAY CHU michun) (RAY CHU michun)

RAY CHU's Spring/Summer 2025 collection draws inspiration from the floral landscapes that appear when drifting plants reach the shore, symbolizing the resilient and indomitable spirit of the Taiwanese people. Among the most iconic flowers featured is the Crinum asiaticum. This season, RAY CHU flawlessly incorporates the noble, elegant, and beautiful qualities of the Crinum asiaticum, utilizing 3D printing technology to highlight its spherical and dimensional beauty, adding depth and layers to the pieces. Additionally, this season's designs feature collaborative works based on the artwork Vibrant Park Dance Floor, an IP from Taipei Fashion Week. These designs further embody the lively scenes of parks in Taiwan, which resemble bustling dance floors. From early morning Tai Chi to evening community dances, people of all ages and genders freely express themselves. This unique atmosphere brings vitality to the city, blending modernity with the warmth of daily life, offering wearers a sense of self-liberation and effortless style.

Designer Ray Chu
Ray Chu is known for his sleek, daring, and playful design that balances commercial appeal with a commitment to sustainability and environmental consciousness. In 2024, he served as a judge for the Golden Dot New Talent Design Award. Ray was listed by Tatler Asia as a one of rising Gen T. pioneers in 2023. In 2022, he made it to top 10 finalists in the RISE UP Asia competition for emerging sustainable fashion. Through crossover collaborations and international engagement, Ray continues to expand his brand's influence and recognition.

Artist Yeh Yi-Rou
Born in 1983 in Taipei, Taiwan, Yeh Yi-Rou graduated from the Fine Arts Department at Taipei National University of the Arts and is skilled in using warm colors in her paintings. She currently works as an illustrator, animator, and graphic designer. In recent years, she has ventured into music video production, contributing to the visual dynamic imagery for the Golden Melody Awards, Golden Bell Awards ceremonies, and concert visual design. In 2021, she was nominated for Best Music Video Director at the 32nd Golden Melody Awards.
RAY CHU 2025 春夏系列,設計靈感深植於漂流植物抵達岸邊時所展現的花卉景觀,藉以象徵臺灣人民堅韌不拔的精神。文殊蘭(Crinumasiaticum)是其中最具代表性的花卉。本季RAY CHU 完美融入文殊蘭高貴、優雅、美麗的特質,通過3D 列印技術,展現其立體、球狀的美感,增加作品的深度與層次感。 此外,這一季的設計也特別加入根據臺北時裝週 IP 聯名作品《活力公園舞池》畫作的延伸創作,進一步體現臺灣公園的活力景象。這些公園如同一個熱鬧的大舞池,從清晨的太極拳到夜晚的社區舞蹈,不分年齡或性別,每個人都盡情展現自我。這種獨特的氛圍讓城市充滿了生氣,讓系列創作既具現代感又充滿生活情感,為穿著者提供一種解放自我、自在穿搭的時尚選擇。

設計師 朱柏諺
朱柏諺以幹練、敢於挑戰和俏皮兼顧商業性質的設計風格著稱,並致力於推動可持續性和環保理念。2024 年擔任金點新秀設計獎評審,2023 年被Tatler Asia評選為Gen T. 新銳先鋒,2022 年入圍新生代可持續時尚RISE UP 亞洲前10 強。通過跨界合作和國際參與,朱柏諺不斷拓展品牌影響力和知名度。

藝術家 michun
1983 年出生於臺灣臺北,畢業於臺北藝術大學美術系,擅長使用溫暖色彩表現繪畫,現職插畫家、動畫師、平面設計師。近年涉足音樂影像,參與金曲獎、金鐘獎典禮視覺動態影像、演唱會視覺設計,2021 年入圍第32 屆金曲獎最佳MV 獎導演。

Wasteland Cowboy 荒漠牛仔 (.67ARROW SAITEMISS) (.67ARROW 低級失誤)

Have you ever felt this way? The pace of trends is accelerating, and information is so transparent and clear that it feels almost naked. Social media dictates the power over our aesthetic choices, as if hesitating for a moment would cause you to be swept away by the tide. We no longer have the time to carefully consider which style suits us or to scoff at certain trends. Instead, we blindly follow the crowd like sheep, driven by the fear of being left behind and devoured by the wolves lurking behind. Needle, a young cowboy who has traveled through time to a post-apocalyptic world, continuously explores himself in a decadent yet glamorous era. He deconstructs street fashion items, equips himself with survival gear, and overlays tough and hardcore styles with the soft, signature romantic lines and vibrant colors marked by #Saitemiss. This creates a striking contrast that, paradoxically, comforts and harmonizes. For souls burdened by the chaos of the world and forced to armor themselves, he brings a glimmer of hope.

Designer MAXX
MAXX embodies a unique blend of street culture and design academy pedigree, positioning himself with the precision of a sniper. He has collaborated across various fields, including with rappers, e-sports teams, street dance competitions, and artisans. In 2023, he made his debut at Taipei Fashion Week, breaking the boundaries between streetwear and high fashion. Leading dancers to take over the runway, he manifested the diversity and inclusivity of hip-hop culture.

Artist SAITEMISS
SAITEMISS, known for dreamy and fresh creative style, gained recognition with works filled with soft, pastel colors reminiscent of a young girl in love. She was once commissioned by the American magazine TIME to create illustrations. SAITEMISS says, “My inspiration blends Eastern aesthetics with Western emotions. What I want to convey to my audience is that it’s always okay to embrace your inner girl, no matter the time or situation.”
你們也有過這種感覺嗎?流行的步伐越來越快,資訊透明澄澈近乎赤裸,社群力量掌握著諸君的審美生殺大權,彷彿一個遲疑就會被潮流沖刷殆盡。我們沒有時間細細審視自己適合什麼風格、對哪種流行嗤之以鼻,盲目地從眾像羊群一般跟著流量走,只深怕落單會被尾隨的狼一口吞噬。 穿越時空來到末日世界的小牛仔Needle,在華麗卻衰頹的亂世中不斷探索自我。他解構街頭流行單品、裝載生存所需配備,在剛強硬派的風格裡,輕柔包覆上低級失誤標誌性的唯美線條與繽紛色彩。形成鮮明強烈的對比,卻又無違和地相互慰藉,為飽受世事紛擾而必須武裝自我的靈魂,捎來美好的希望。

設計師 MAXX
MAXX 擁有街頭潮流文化與設計學院的雙重基因,像狙擊手般非常清楚自己的定位。曾與饒舌歌手、電競隊伍、街舞賽事、工藝職人跨界合作,於2023 年首度進軍臺北時裝週,打破街頭與時尚疆界,率領舞者轟炸伸展台,展現嘻哈文化的多元與包容性。

藝術家 SAITEMISS
SAITEMISS 以清新夢幻的創作特色打開知名度,作品充滿戀愛少女般的粉嫩色彩,曾接受美國《時代雜誌》委託繪製插圖。SAITEMISS說,「自己的插畫靈感,融合了東方的樣貌和西方的情感,最想向觀眾傳達的是,在任何時候當個少女都是被允許的。」

The Quotidianness of Taiwan 臺灣日常 (TANGTSUNGCHIEN Sammi) (TANGTSUNGCHIEN 夏仙)

The SS25 collection is inspired by illustrator Xia Xian’illustration work that is infused with fantasy and poetic visuals. The collection incorporates Taiwan's unique natural landscapes and urban scenes—such as the sun, swallows, ferns, mountain views, utility poles, animals, and more—paired with relaxed silhouettes that embody these themes. Through the clothing's cut and playful use of graphics and textures, different layers of the storyline are presented, resulting in a collection of vibrant and character-filled garments. The clothing patterns fuse with contemporary cultural elements, manifesting Taiwan's urban culture and the spirit of its youth.

Designer Tang Tsung-Chien
Tang Tsung-Chien graduated from the Institut Français de la Mode (IFM) in Paris. His designs are characterized by a fusion of cultures and a focus on sustainability, and he was the finalist in the 34th Hyères International Festival of Fashion and Photography. His works draw inspiration from childhood memories and dreams, manifesting innovative use of materials, colors, and textures.

Artist Sammi
Sammi's work mainly focuses on "people" and nature. She is a person that never expresses her inner anxieties, instead, she uses painting as a way to release her current state of mind, honestly depicting her hidden feelings of frustration and helplessness. Through daily obser vations, she transforms these emotions into personal philosophies and perspectives that drive her creations.
TANGTSUNGCHIEN SS25『臺灣日常』以「夏仙」畫家故事性的圖像為靈感,設計出既現實又充滿奇幻、詩意色彩的服裝系列:慵懶的男裝及女裝造型,童趣、療癒的圖形及色彩。探索不同的質感和材料,將插畫中的色彩和紋理實現在布料上,讓布料紋理及色彩呼應『最美好的日常』原作,增強設計的層次感,形成獨一無二的視覺效果。臺灣特有的自然景觀與城市風景:太陽、燕子、蕨類、山景、電線桿、雜草、動物等等,搭配具有這些主題特徵的版型設計,透過服裝的剪裁和顏色呈現故事情節的不同層面。打造一系列充滿活力和個性的風格服裝。服裝版型融合了當代文化元素,表現臺灣都市文化和年輕人的精神。

設計師 唐宗謙
唐宗謙畢業於法國巴黎時裝學院(IFM)。他的設計以文化融合和可持續發展為特色,並曾入圍34 屆法國海耶爾時尚藝術節。其作品靈感來自童年回憶和未來夢想,展現出對材料、色彩和質感的創新運用。

藝術家 夏仙
夏仙的創作多以「人」及大自然為主體,向來不會表現出內心深處不安感受的她,藉由畫畫抒發當下的心境,誠實地畫出自己不為人知的沮喪和無力感,並透過日常的觀察轉換為個人哲學及觀點作為創作。

weiweiboy goes to Berlin 可愛大王在柏林 (#DAMUR wei wei boy) (#DAMUR wei wei boy)

#DAMUR and Taiwan's IP brand weiweiboy have come together to craft an enchanting narrative titled "weiweiboy Goes to Berlin," launching the SS25 Taipei Fashion Week with a naughty yet kawaii smile. Inspired by the characters kawaii king and weiwei and moka bear, the collection portrays their dreamlike journey to Berlin—a city renowned for its openness, thriving subcultures, and rich diversity. Berlin's dynamic nightlife and multicultural essence provide the ideal backdrop for weiweiboy's characters while sparking #DAMUR's creative vision, seamlessly blending these two worlds. This collection is a tangible fusion of two distinct creative styles. It combines weiweiboy's soft, dreamy hues with Berlin’s bold, saturated colours and edgy #DAMUR's iconic plaid patterns and wavy lines weave through the collection, creating a striking dialogue between these unique styles. This collaboration delves into themes of pop culture, art, and identity, offering a vivid and inspiring expression of fashion’s ability to tell compelling stories and challenge conventions.

Designer Huang Shih-Shun
Huang Shih-Shun graduated from the Department of Textiles and Clothing at Fu Jen Catholic University. He furthered his studies in advanced fashion design at the Royal Academy of Fine Arts Antwerp and Ecole Nationale superieure des arts Visuels de La Cambre-Mode[s] in Brussels. He has worked with Alexander McQueen and Tim Hamilton. In 2015, he founded #DAMUR, a brand that blends Asian pop music with Berlin street culture, showcasing a unique, rebellious yet elegant gender-fluid style.

Artist Weiweiboy
Weiweiboy began sharing his creations online in 2012 and launched his illustrated brand the following year. Through characters like Weiwei, Maomao Bear, and the Kawaii King, he creates various hear twarming illustrations. Weiweiboy has won awards such as the Taipei Illustration Fair Excellence Award and the Creative Expo Taiwan, Gold Award. With experience collaborating with major brands, his goal is to "make the world more adorable" through the power of illustration. He actively shares his humorous comic stories on social media, manifesting diverse aspects of illustration, making him a vibrant and experienced illustration brand.
SS25 臺北時裝週開幕秀上,#DAMUR 與臺灣IP 可愛大王by weiweiboy 聯手打造了一場名為"weiweiboy goes to Berlin"的奇幻旅程。系列靈感來源於weiweiboy 筆下的可愛大王、喂喂、毛毛熊等角色,描繪他們夢想前往自由之都柏林的旅程。柏林以其思想開放和次文化盛行聞名,絢麗的夜生活與多元文化的交融,不僅啟發了 #DAMUR 的設計靈感,更為可愛大王的角色冒險提供了完美的背景。在創作上,該系列融合了兩種截然不同的創意風格。以可愛大王活潑溫柔的夢幻色調為基底,並融入柏林獨特的高飽和色彩與高暴力元素。整個系列由#DAMUR 標誌性的格紋與波浪線條貫穿,這次聯名合作不僅是風格上的碰撞,更是一場兩個獨特靈魂在流行、藝術、性別與幻想之間的深度對話。

設計師 黃世舜
黃世舜畢業於輔仁大學織品服裝學系,後赴安特衛普皇家藝術學院及布魯塞爾剛勃學院進修高級時裝設計。他曾在Alexander McQueen 和Tim Hamilton 工作,2015 年於柏林創立#DAMUR。其作品融合亞洲流行音樂與柏林街頭文化,展現獨特的叛逆與優雅無性別風格。

藝術家 weiweiboy
weiweiboy 2012年開始在網路發表創作,隔年以圖文創作品牌出發,透過角色喂喂、毛毛熊、可愛大王,繪製療癒的各種圖文,曾榮獲臺北插畫藝術節優勝與臺灣文化創意博覽會金獎,並擁有與各大廠商合作經驗,目標希望以插畫的力量「讓世界再可愛一些!」,並在社群平台上分享自身有趣的漫畫故事,有不同面向的插畫發展,是個充滿活力與經驗的插畫品牌。

brand show

Telling the story of Taiwan's elegance through clothing Fashion is like a language, it can be deconstructed and transformed.

Taiwanese-style fashion, a flowing feast, heralding new trends for spring and summer—Taipei Fashion Week SS25 brand shows have made a grand debut. This year, 13 Taiwanese designer brands were selected to participate, including: #DAMUR, CHOW des HOMME, Daniel Wong, Dleet, GIOIA PAN, HANSEN ATELIER, INF, JENN LEE, Liyu Tsai, Seivson, Story Wear, WANGLILING, and YENLINE. With 13 independent shows, 13 distinct fashion design languages, and 13 questions posed to the times, the excellence of craftsmanship—from scratch to masterpiece—extract Taiwan’s embracive spirit. The designers are manifesting bold, unprecedented creativity, whether elegant and effortless, uniquely ingenious, or eccentric and quirky. The highlights from this fashion week are set to become hot topics of conversation.

用服裝述說臺灣風華
時尚似語言,可拆可變

臺派的時尚,流動的饗宴,預言春夏新風潮的臺北時裝週SS25 品牌秀華麗登場。此次共有13 個臺灣設計師品牌參與秀程,包含:#DAMUR、CHOW des HOMME、Daniel Wong、Dleet、GIOIA PAN、HANSEN ATELIER、INF、JENN LEE、 Liyu Tsai、Seivson、Story Wear、 WANGLILING、YENLINE。13 場獨立大秀、13 種時裝設計語言、13 個對於時代的提問,從0 到1 的精湛工藝,淬煉出容納多元的臺灣精神,設計師們展現前所未見的大膽創意,無論是優雅隨性、別具匠心,還是詭異乖張,這些時裝週上的亮點即將成為熱議話題。

Deconstructing Gender, Subverting Ideology 解構性別 顛覆框架 (#DAMUR) (#DAMUR)

The #DAMUR SS25 collection explores deconstructing gender stereotypes and embraces the freedom to express one's unique identity. Inspired by a childhood memory of designer Huang Shih-Shun's ballet performance, where he, as a boy, was not allowed to wear the elegant skirts that other female classmates wore on stage, the collection reflects his profound sense of exclusion. Although he was too young to fully grasp the concept of gender stereotypes at the time, the experience of being limited to wear shorts left a lasting impact.
Today, Huang Shih-Shun uses his designs to convey that clothing should transcend gender boundaries. He deconstructs the tie, a symbol of male authority, into a dynamic, swinging knee-length skirt. A solemn black jacket is adorned with vibrant ruffles, striking a balance between strength and softness. The collection features extensive use of cutouts, wave illustrations, asymmetry, and multi-layered designs to create versatile silhouettes, pushing the boundaries of gender-fluid fashion and showcasing its limitless possibilities.

Huang Shih-Shun gr aduated from the Department of Textiles and Clothing at Fu Jen Catholic University. He furthered his studies in advanced fashion design at the Royal Academy of Fine Arts Antwerp and Ecole Nationale superieure des ar ts Visuels de La Cambre- Mode[s] in Brussels. He has worked with Alexander McQueen and Tim Hamilton. In 2015, he founded #DAMUR, a brand that blends Asian pop music with Berlin street culture, showcasing a unique, rebellious yet elegant gender-fluid style.
#DAMUR SS25 系列探討重新解構性別刻板印象,擁抱個人自我認同的價值觀。靈感來自設計師黃世舜童年時的一段芭蕾舞演出記憶:因為傳統男孩的性別限制,黃世舜無法像女同學們一樣穿上優雅的芭蕾舞裙登台表演。雖然當時他對性別刻板印象的理解有限,但被要求穿短褲表演的經歷,讓他深刻感受到了被排斥的感覺。 如今,回憶起這段往事的黃世舜希望通過設計來傳達一種理念:穿著不應受到性別的束縛。他將代表男性權威的領帶進行解構,重新編織成飄逸搖擺的及膝裙;他為肅穆的黑夾克點綴上霓虹荷葉邊,打造出真實的剛柔並濟。系列中大量運用挖洞、大波浪圖騰、非對稱和多層次設計元素,塑造出每件作品的多變輪廓,同時也展現了無性別時裝的更多可能性。

黃世舜畢業於輔仁大學織品服裝學系,後赴安特衛普皇家藝術學院及布魯塞爾剛勃學院進修高級時裝設計。他曾在Alexander McQueen 和Tim Hamilton 工作。2015 年創立#DAMUR,作品融合亞洲流行音樂與柏林街頭文化,展現獨特的叛逆與優雅無性別風格。

Invisible Victim 隱形受害者 (CHOW des HOMME) (CHOW des HOMME)

In contemporary culture, social platforms have created a seemingly free and limitless world. But is that really the case? In the process of liking, sharing, and the pursuit of digitized metrics, 'freedom' has been deconstructed into a bargaining chip, becoming a commodity. On the platform, everyone (both performers and audiences on and off stage) has turned into objects of the performance.
This show reveals the hidden victims behind the illusion of freedom—those who may be hurt by rumors and gossip, or those who lose themselves in the pursuit of false appearances. It aligns with the core theme of the annual show, focusing on current affairs and news topics. If the boundaries have gradually blurred, and we have all become part of the stage, then let’s view it with different perspective. There’s no need to take it too seriously or stay too aware. If we can't leave the stage, then let's embrace the darkness all the way.

CHOW des HOMME was founded by designer Billy in 2020. Drawing inspiration from his own Gen Z rebelliousness and youth culture, the designer uses current social issues and news events as the starting point for each season. The brand is dedicated to creating a res
在當代文化裡,社群創建了一個看似自由且無限的世界。但真是如此嗎?在按讚、分享,所有追求數字化的過程中,「自由」被解構成交易的籌碼,成了一種商品,在平台上的所有人,舞台上的表演者、台下的觀眾都成為了場上的表演物件。 本場秀,揭示出在虛假自由的背後,那些戰爭看不見的受害者,可能是在流言蜚語下受傷的人,也可能是在追求虛假表象中失去自我的人,扣合每年秀場核心,關注當下時事與新聞議題。若邊界已逐漸模糊,我們都已成為場上人,那就用另一種方式看待,不用太認真也不用太清醒,無法離場,那就一黑到底。

CHOW des HOMME 由設計師 Billy 於2020 年成立,設計師以自身Z 時代當下叛逆及青年文化作為靈感來源,並從當下所發生的社會議題、時事新聞作為每一季切入點,致力於打造屬於Z 時代共鳴的品牌。

Breaking through Limits 突破極限 (Daniel Wong) (Daniel Wong)

Daniel Wong 2024【Breaking through Limits】 Daniel Wong collaborates with Coca-Cola to create a visually stunning extravaganza of breaking limits, using pop art and retro styles as the foundation. Blending vibrant colors with classic elements, the collaboration showcases the brand’s unique and wild creativity.
Inspired by future technology, the collection incorporates diverse design elements such as clothing, accessories, and other items, crafting a rich visual landscape. The clothing design merges street style with the silhouette of golf apparel, creating a distinctive atmosphere that blends modern fashion with retro flair. Additionally, Daniel Wong utilizes 3D tailoring and streamlined designs, adding a futuristic touch that enhances the visual depth of the garments. These elements contrast with the retro visuals, forming a unique rhythm of contrasts and creating an extraordinary style.
Daniel Wong warmly invite explorers to wander through this world of freedom and creativity. Like the bubbles of Coca-Cola, each garment embodies the passion of youth, the desire for self-expression, and the courage to challenge limits, transforming into a wild celebration of freedom.

Chinese designer Daniel Wong, with an international background and extensive design experience, has worked for Alexander McQueen and Versace. He founded his eponymous brand and continues to push boundaries, venturing into various fields such as fashion, cross-industry collaborations, and NFTs, showcasing a confident and distinctive aesthetic style.
Daniel Wong 2024【突破極限】,Daniel Wong 與Coca-Cola 攜手打造一場極限突破的視覺盛宴,以波普藝術和復古風格為基調,結合鮮活色彩與經典元素,呈現出品牌獨特的狂野創意。
這次合作以未來科技為靈感,透過服裝、配件、周邊等多元設計元素,創造出豐富的視覺風貌,在服裝設計上,將街頭風格融入高爾夫球服的廓型中,展現出現代流行與復古風格融合的獨特氛圍。此外,Daniel Wong 以3D 剪裁和流線型設計,賦予服裝未來感,使其在視覺上更具立體感,這些設計元素與復古視覺相對照,形成了獨特的對比韻律,打造出與眾不同的風格。
Daniel Wong誠邀探索者們一同漫遊在這個充滿自由與創意的世界,如同Coca-Cola 的氣泡般,將青春的熱情、自我表達的渴望和挑戰的勇氣融入每一件服裝,轉化為一場自由的狂野盛宴。

華裔設計師Daniel Wong, 擁有國際經歷及豐富設計背景,曾效力於Alexander McQueen 及Versace,創立同名品牌並持續突破,涉足時尚、異業合作、NFT領域,展現自信美學風格。

Give a new interpretation for the minimalist of black and white 賦予簡約黑白新詮釋 (Dleet) (Dleet)

Injecting unique details into simple black-and-white color schemes, each garment is filled with depth and diversity. The design is not just a visual presentation but also a reflection of functionality. Dleet, led by Li Bei, focuses on creating clothing that people are willing to wear in their daily lives, whether at work or during leisure, exuding confidence and taste. The designs are not merely interpretations of fashion but also expressions of personal style. The collection emphasizes three-dimensional tailoring and asymmetric draping, redefining the balance of daily wear. Each garment is crafted through continuous experimentation and revision. In the Spring/Summer 2025 collection, Li Bei infuses her perception of modern life, maintaining the brand's signature abstract, experimental, yet highly wearable design style.

Dleet’s Creative Director, Li Bei, whose expertise are sleek cutting lines, fabric mix-andmatch techniques, and the deconstruction and reassembly of silhouettes, creating a series of minimalist, avant-garde, yet wearable clothing collections. Injecting extraordinary creative energy into the simplest black and white hues, she brings to life limitless possibilities in fashion!
在簡單的黑白配色中,注入獨特的細節,讓每件服裝都充滿深意和多樣性。設計不僅僅是視覺的呈現,更是功能性的體現。Dleet 李倍專注於設計出讓人們在日常生活中都願意穿著的服飾,無論是工作還是休閒,都能展現出自信與品味;其作品不僅是對時裝的詮釋,更是對個人風格的展現,系列設計著重於立體剪裁與不對稱抓褶設計,更新日常穿著的平衡感。每件服裝的製作都在不斷的實驗、修改中完成。李倍在25 春夏系列中融入了自己對於現代生活的感知,維持品牌一貫抽象、實驗性卻又高度實穿的設計風格。

Dleet 設計總監李倍,擅長的俐落剪裁線條、布料混搭運用以及版型解構與重組,創造出一系列又一系列極簡、前衛並實穿的服裝作品。在最簡單的黑白色中,注入超凡的創意能量,誕生出無限可能的服裝變化!

Traces of Time 時空跡影 (GIOIA PAN) (潘怡良)

Throughout the long Chinese history, paper-cutting conveys the splendor of civilization, while stone-carving witnesses the evolving beauty of time and space.Gioia Pan 2025 Spring/Summer Collection, "Traces of Time," draws inspiration from natural landscapes and stone carving art, skillfully blending the intricate beauty of paper-cutting with the fluidity of history. This collection unfolds at the intersection of time and space, using distinct textures and colors to depict the convergence of past and future. The undulating curves of canyons, the permanence of stone carvings, and the fleeting beauty of paper-cuttings intertwine to create a series of captivating time-and-space silhouettes. These pieces not only showcase the limitless possibilities of fashion design but also convey a unique sense of temporal transcendence. Each creation embodies the glory and melancholy of time, highlighting a profound dialogue between past history and the present era.

Pan Yi-Liang is among the ver y few global designers that specialize in knitting fashion. With knitting techniques as common threads, GIOIA PAN collections emphasize both textures and designs. Pan Yi-Liang has the expertise to depict simple and clean outlines of perfect contours with the pendulous and elastic characteristics of knitting.
With her substantial faculty of original knitting designs, Gioia derives inspirations from various aspects in life, and never ceases to arouse spanking new waves of creativity. Driven by her passionate pursuit for the knitting artistry, Gioia unrelentingly kindles fresh fashion sparks.
在時間的長河中,一張剪紙承載著華夏文明的瑰麗,一座石雕見證著時空變遷的魅力。Gioia Pan 2025 春夏系列「時空跡影」,靈感源自自然地貌與石雕藝術,巧妙融合了剪紙的細膩美感與歷史流動的力量。該系列在時間與空間的交錯中展開,通過層次分明的紋理與色彩,勾勒出過往與未來的交集。峽谷的起伏、石雕的永恆與剪紙的瞬間之美交織,構築出一幅幅動人的時空剪影。這些作品不僅展現了服裝設計的無限可能,也傳遞出一種時空穿越的獨特魅力。每一件作品都將歲月的榮耀與悲歌融入其中,彰顯出歷史與現代的深刻對話。

潘怡良是全球設計師當中,少數以針織發展為主的服裝設計師,作品以技術層面為前提,著重服飾之質感與設計性兼具。擅於以簡潔的線條與針織垂墜、伸縮之特性來勾勒完美曲缐。在設計上,扎實的針織原創功底,從不同角度汲取生活靈感,每次創作都能啓發新的設計浪潮。憑藉對針織的熱愛與追求,不斷迸發出新的時尚火花。

Cultural Interpretation, The Fluidity of Creativity 文化轉譯 創意流動 (HANSEN ATELIER) (HANSEN ATELIER)

25SS Inspired by the architecture, intangible cultural heritage of iron paintings, and the shimmering waters of my mother's hometown (Anhui Province), the fabric itself is treated as a symbol of modernity. Through the utilization of auxiliary materials and lining prints, a unique visual effect is created, allowing the story to unfold not only on the surface of the garment but also within its lining. The design combines traditional and modern tailoring techniques, overlaying memories of the past with contemporary hometown scenes. The modern silhouettes are fused with the structure and colors of Huizhou architecture, with the iron paintings serving as a highlight in the design, just like embroidery. This approach creates a new Jiangnan aesthetic.

After winning the Best Pattern Design at the New Talent Award in 2020, designer Guo Heng- Sheng developed a stronger commitment to pattern shaping. With a long-term focus on Taiwanese cultural attire research, Guo Heng- Sheng translates various cultural elements into modern designs, manifesting the cultural symbols of Eastern nations.
靈感源自母親老家(安徽)的建築、非遺鐵畫與波光粼粼的江水。將布料本身作為現代性的表徵,通過輔料、內裡的印花等搭配,形成獨特的視覺效果,將故事除了在服裝表面外,也同時於內裏展現,並結合古法與新制的裁剪工藝,將曾經的回憶與現在的家鄉場景重疊,融合現代性的版型與徽派建築的結構和顏色。鐵畫如同刺繡一般,成為服裝設計中的亮點,形成新式的江南風情。

2020 年於新人獎奪得最佳版型設計後,設計師郭恆生對於版型的塑造開始有了更深的執著。長期從事臺灣文化服飾研究,郭恆生將各個文化轉譯成現代性的設計,呈現東方民族的文化表徵。

Liberate Imagination, Deconstruct Fashion 解放想像 解構時尚 (INF) (INF)

INF 25SS K-U-O-W-E-I Designer Kuo Wei's Signature Series. This series goes beyond deconstructing garments and design concepts; it's about deconstructing the mind of designer Kuo Wei. What exactly shapes the INF brand? By dissecting the contents of Kuo Wei’s mind, we can get a glimpse into his Taiwanese aesthetic, life philosophy, and the creative ingenuity that comes from constantly reshaping various cultural influences.
This season, Kuo Wei's brain MRI images are reimagined and transformed into prints on the garments, creating a surreal yet meaningful vibe that echoes the brand’s abstract deconstruction approach. Beyond the prints, this collection also brings INF’s perspective on sustainable fashion to the forefront. Kuo Wei believes that while recycling old clothes and upcycling are great, he’s more interested in addressing fashion waste before it even happens. That’s why INF’s famous multi-wear collection has reached its peak this season.

Designer Kuo Wei excels at observing subtle changes and expresses layers of complexity through design details in clothing. Specializing in deconstructive style, he skillfully blends and reconfigures contrasting or conflicting cultures, embedding cultural spirit and meaning within. This approach creates fashion pieces that transcend time and liaise between the past and the present.
INF 25SS K-U-O-W-E-I,設計師郭瑋同名系列。本系列不再只是解構服裝和設計概念,而是將設計師郭瑋的大腦解構;到底是什麼造就了INF 這個品牌?透過將郭瑋的腦內容物一一拆解,我們得以窺探郭瑋的臺客美學、生活哲學以及他涉略各種文化後不斷翻轉而成的創意巧思。
本季將設計師郭瑋的大腦MRI 照片拆解重塑成渲染感的服裝印花,看似迷離卻有言之有物的氛圍正如品牌的抽象解構手法;除了印花之外,本季更是將INF 對永續時尚得觀點表現的淋漓盡致,郭瑋認為:舊衣回收與回收再造固然很好,但比起時尚廢棄物產生後的後續處理,他更希望在時尚廢棄物產生前想辦法,於是INF 著名的一衣多穿系列在日新月異的更迭後在本季達到頂峰。

設計師郭瑋擅長觀察細微的變化並以服裝設計細節來體現層次;專精於解構風格,將兩種對比或衝突的文化巧妙地互相融合,並拆解重塑,在其中置入文化精神與寓意,創造出縱貫古今的時尚單品。

Echoes of youth 青春回聲 (JENN LEE) (JENN LEE)

JENN LEE’s 2025 Spring/Summer collection, Echoes of Youth, captures childhood nostalgia through whimsical and unstructured designs. By crumpling paper, Jenn creates playful silhouettes and geometric forms, accented with exposed seams and signature heart zippers. Accessories preserve everyday objects in resin, evoking long-forgotten memories. In collaboration with French luneville embroidery artist Atelier MOWA, 3D headpieces inspired by calligraphy seamlessly merge punk aesthetics with haute couture techniques. Additionally, JENN LEE’s avant-garde partnership with Taiwanese cosmetic acupuncture brand SALIENT incorporates acupuncture into the fashion show, perfectly blending punk aesthetics with practical benefits, reinforcing the rebellious spirit of youth while offering genuine therapeutic value.

Designer brand JENN LEE, helmed by its founder often referred to as the “Trash-Collector Designer,” is also hailed by Vogue Italia as “ The rebel star of Taiwan’s sustainable scene” Known for using upcycled materials and deconstructed aesthetics, JENN LEE’s bold and unrestrained sensual style exudes a rebellious charm, adding an edge of allure to her designs. Additionally, JENN LEE continues to break new ground in fashion technology, collaborating with Makalot, one of the top five largest textile manufacturers globally, to launch virtual garments that reduce waste. The brand has also partnered with tech giant ACER to fuse fashion and technology in exciting new ways. JENN LEE was also featured on the BBC radio show In the Studio, where she shared with listeners how she transforms boundless creativity into stunning designs. Vogue US has also named JENN LEE as a “must-know brand.
JENN LEE 2025 春夏系列「青春回聲」以奇趣且不拘一格的設計捕捉童年的懷舊情感。透過揉皺紙張,Jenn 創造出充滿玩味的輪廓與幾何形狀,搭配外露的接縫與標誌性的愛心拉鍊。飾品則將日常小物封存於樹脂中,喚起遺忘已久的記憶。 與法國luneville 刺繡藝術家Atelier MOWA 合作,受書法啟發的3D 頭飾,巧妙結合龐克美學與高級訂製工藝。此外,JENN LEE 與臺灣中醫美容品牌SALIENT 的前衛合作,將美容針灸融入時裝秀,完美融合龐克美學與實際療效,既強化了青春叛逆的精神,也帶來真正的青春療癒效果。

設計師品牌JENN LEE 主理人,人稱「拾荒系設計師」aka 義大利Vogue 口中「環保界的一顆叛逆星星」,以舊物再造與解構表現服飾。大膽而不羈的性感作風,擁有迷人反派角色的魅力。除此之外,JENN LEE 也在時尚科技領域持續突破,與全球前五大的紡織廠聚陽紡織合作,推出虛擬服裝以減少廢棄物,並與科技大廠 ACER 攜手,讓科技與時尚碰撞出新的火花。JENN LEE 曾登上BBC 廣播節目 In the Studio,向聽眾揭示她如何將無限創意轉化為驚豔的設計。美國Vogue 也點名JENN LEE 為「必須要認識的品牌」。

Self-Exploring in Nature 在自然中探索自我 (Liyu Tsai) (蔡麗玉)

The self-dialogue between the sun and the moon, between rationality and sensibility, extends the diversity and profoundness of the inner world through the mysterious power of nature. Using clothing as a mirror, it tangibly expresses emotions, roles, and values, reflecting the unique facets of individuals in different circumstances, embarking on a profound journey of self-awareness and exploration.
The changing phases of the moon stir inner emotional waves, reflecting the waxing and waning of one's character. In the self-dialogue, the diverse aspects of "I" are analyzed, unraveling a delicate and multifaceted inner world through a unique design language. Soft tailoring and flowing lines, expressed through color, material, and design, convey a sense of gentleness, depth, and emotional will under the play of light and shadow. A mysterious and poetic atmosphere is created, presenting a deep sense of beauty that pays homage to nature while also exploring and revealing the beauty of human nature.

Taiwanese fashion designer Liyu Tsai has been dedicated to fashion design for over 30 years. In 1996, she established her eponymous brand, which has become a leading name in Taiwan's high-end fashion industry, renowned for its exquisite and meticulous design style. Tsai has twice represented Taiwan at Mercedes-Benz Asia Fashion Week, further boosting her status in the fashion world.
太陽與月亮,理性與感性之間的自我對話,通過自然的神秘力量,延伸內在世界的多樣性與豐富性。藉由服裝做為一面鏡子,具象表達情感、角色和價值觀,反映出人在不同情境下的獨特面向,進行一場自我認知和探索的深刻旅程。
月亮變幻牽動著內心情緒波瀾,反映出性格中的陰晴圓缺,在自我對話中解析出「我」的多元面向,通過獨特的設計語言,抽絲剝繭出細膩多元的內心世界。柔和的剪裁、流動的線條,透過色彩、材質和設計,表達光影下的輕柔、深邃以及內心的情感意志。營造神秘而詩意的氛圍,呈現出一種深邃的美感,既是對自然界的致敬,也是對人本質之美的探索和呈現。

臺灣代表性女裝設計師蔡麗玉Liyu Tsai,投入時尚設計逾30 年,於1996 年創立同名品牌。曾兩度代表臺灣參加賓士亞洲時裝週,以其精緻細膩的設計風格,穩坐國產高端時尚的領導地位。

Traces :
Telling stories of women's growth through the traces of clothing
TRACES
用服裝的痕跡訴說
女性成長故事
(Seivson) (Seivson)

Scars are the experiences of the body, while wrinkles are the traces of clothing. In this collection, Seivson approach from the perspective of female bodily growth, exploring the modern social phenomena experienced in the growth process of the new network era. The contradictions and distortions between reality and illusion are reflected in this season's design concept. In design and development, various folds and traces express different layers of fabric and unique textures. The fabric's folds may appear chaotic, but they contain a tension that forms resistance, leaving subtle, barely perceptible marks on the female skin. These never been explored fabrics and techniques, have been processed and reassembled multiple times, reveal an elegant texture even after experiencing tears, much like the growth of life itself.

Founded at the end of 2017, the Taiwanese fashion designer brand Seivson was established by founder and designer Tzu Chin Shen, who aims to change the existing impressions of female fashion. Using clothing as a creative medium, Seivson tells stories through design, empowering women with charm and strength. This has always been Seivson's unwavering commitment. The brand's work has won the 2023 Global Design Award in Kyoto, Japan, and was voted the number one designer brand in the 2022 Tokyo WWD Awards.
疤痕是身體的經歷,皺摺是服裝的痕跡。在本系列中,Seivson 以女性身體的成長觀為切入點,探討在新網絡時代的成長過程中,所經歷的現代社會現象,將真實與虛假之間難分的矛盾和扭曲,呈現於本季設計概念中。 在設計與研發方面,通過各種皺摺與痕跡,表達不同層次的織物與特殊質地。布料的摺疊看似雜亂無章,卻蘊含著規律的張力形成對抗,並在女性皮膚上留下難以察覺但真實存在的細微痕跡。這些從未嘗試過的布料與工藝,經過多次加工重組,如同成長中的生命一樣,即使經歷撕裂,仍能展現出優雅的質感。

2017 年底創立的臺灣時尚設計師品牌Seivson,創辦人暨設計師申子芹企圖扭轉女裝市場既有的服裝印象,透過服裝做為創意載體,用設計說故事,賦予女性魅力和力量,一直是 Seivson 不變的堅持。作品曾獲2023 日本京都全球設計大獎、2022 東京WWD 票選第一名設計師品牌。

ONE: The First Chapter of Life 生命的第一章節:ONE (Story Wear) (Story Wear)

Story Wear, the only zero-waste fashion brand in Taiwan, will unveil its new 2025 collection,【ONE】, at Taipei Fashion Week. As Story Wear enters its sixth year, this collection will debut the brand’s unique hibiscus logo and feature a collaboration with a master tailor specializing in bespoke suits with 30 years of experience, manifesting the brand’s sweet yet resilient vitality. This creation star ts with【ONE LIFE】, capturing the struggles and adventures of the entrepreneurial journey. The series then extends to【One • Skyline】, inspired by the connections between people and Taiwan’s unique landscapes, including mountain, sea, and city skylines. The designs use the line of the Chinese character of "one" to create strong contrasts with mixed materials, incorporating local Taiwanese indigo dye, screen printing, laser printing, and yarn weaving techniques to craft various skyline styles. Beginning with humble self-belief and progressing to cross-domain cocreation, the collection ultimately connects point to point, highlighting the value of interdisciplinary collaboration and connection.

Designer Chen Guan-Bai founded the zerowaste fashion brand "Story Wear," collaborating with Min-Fen Chen to create fashion pieces that "produce zero waste." With 20 years of experience deeply rooted in Taiwan’s fashion industry, Min-Fen Chen brings Taiwanese culture, craftsmanship, and resilience into the designs. Over its six-year journey, Stor y Wear has remained steadfast in its mission, combining the concepts of environmental sustainability, fashion, and social enterprise. The brand continues to drive the growth of sustainable fashion in Taiwan, nurturing the concept of eco-friendly fashion on the island.
臺灣唯一的零廢時裝品牌Story Wear,將於臺北時裝週推出其2025年全新系列【ONE】。Story Wear 創立今年邁入第六年,這次系列首次展示了品牌獨特的扶桑花識別標誌,並與擁有30 年經驗的高訂西裝師傅合作,展現出品牌的甜美堅韌的生命力。 此次創作以【ONE LIFE】生命篇章為起點,描繪了創業過程中的艱辛與冒險。隨後,系列延展至【一 • 天際線】,靈感源於人與人之間的聯結以及臺灣獨特的山海景觀和城市天際線。利用「一」的線條,設計出強烈對比異材質設計,將結合在地臺灣藍染、網版印刷、雷射印刷以及線材編織手法,製成不同天際線風格。從渺小的自我信念出發、再到跨域共創,最後將點與點連成線,展現跨界串連力量之可貴。

設計師陳冠百創辦零廢時尚品牌「Story Wear」,與陳敏芬一起創作「不製造垃圾」的時裝單品。陳敏芬深根臺灣服飾產業20年,將臺灣文化、時裝扎實的技術與韌性帶入設計中。Story Wear 一路走來始終如一,創業六年,致力於將環保永續、時尚與社會企業三個概念結合,推動永續時尚在臺灣的發展,讓永續時尚概念在寶島萌芽深根。

The All Things Collection Part II 萬物系列二部曲 (WANGLILING) (汪俐玲)

The All Things Collection Part II: Envisioning the spirits of all things across the universe, the twinkling starlight in the sky appears as fleeting warmth, akin to light passing through a gap. This transient brilliance, moving at the speed of light between heaven and earth, contrasts with the brevity of life’s continuum. The collection draws upon the imagination of the cosmos and the fleeting nature of stars, capturing life as a momentary meteor. The brand's signature concept of "light" symbolizes the flow of beauty and time, blending imagery of black holes, constellations, the moon, meteors, and myths. Designed with elegance and tranquility, it conveys the beauty of environmental continuity. The collection, centered on the universe and all its wonders, brings the symmetry of light’s speed and the passage of time onto the human body, transforming light and hope into wearable art. Through the interaction of starlight and technological fabrics, it reflects the fusion of modern light-shadow aesthetics with the Eastern mythical inspiration of the divine dragon, crafting a narrative of a new era of cosmic imagination that roams through the stars.

Since univer sity, Li-Ling Wang has been dedicated to exploring the combination of technology and clothing. She expects herself to play a role of a fashion magician utilizing avantgarde and mixed materials, and interprets the Eastern philosophy of "the unity of heaven, earth, and humanity in harmony with nature and the seasons." By finding the intersection of technology, functionality, fashion, and the human body, she delivers forth "functional high-tech fashion" that resonates with the present while pointing toward the future.
萬物系列二部曲 :縱觀天地萬物之星靈,閃現天域的星光,宛若光透間隙的溫暖短暫,流動的光彩猶存在於天地眼間的光速,對比人生的延續的短暫。系列以對於宇宙的想像力與星星意象連結如流星般轉瞬即逝的一生。以品牌特色『光』形容美與時間的流動,融合黑洞,星群,月亮,隕石,神話為意象,以優雅寧靜的方式設計,傳達環境延續之美,系列貫穿宇宙萬物為核心,將美的光速與時光的對稱性貼於人體,幻化光與希望為穿著藝術,藉由星星與科技布料感知光與時間的互動,融入現代光影美學與東方神化化身的神龍為靈感啟發,譜寫一段新時代想像於宇宙遨遊天際的星幻系列。

自大學開始,致力研究科技與衣服的結合,如服裝魔術師般,以前衛素材與異材質,詮釋東方「天地人三才合一,順應自然四時」,尋找科技、機能、時尚、人體的交叉點,帶來既呼應時代亦通往未來的「機能性高科技時尚」。

Flow with Tai-Chi 太極心旅 (Yenline) (許艷玲)

Flow with Tai-chi : a Cleansing and Resonance Journey of Slow Fashion. Using techniques like printing, pleating, dyeing, embroidery, cutting and trimming, and layering to create depth and powerful, surging impressions. It is a rare and precious process of forming a human body, and one should focus on cultivating gentleness with the exclusive "Qi", which is the essence of life existing in human body. Using natural elements like clouds, water, wind, fire, and others, the human body becomes a vessel for these images, hence the term 'Tai Chi fluidity.
Morning mist and the first light of dawn gently rouse the earth. With emerald wings and a scarlet beak, the radiant blue magpie takes to the skies, like wind and cloud, soaring with a fierce grace that cuts through the heavens. His blue silhouette, like a fleeting blade of light, cleaves the horizon in an instant. Life’s tender strength, as winds rise and clouds descend, mirrors the eternal dance of yin and yang. Waters carve through desolate landscapes, flowers bloom and fade, as the cycle of impermanence unfolds. In that fleeting moment, street fashion bursts forth, capturing eternity in the present.

Originally a pharmacist, at the age of 35, the designer studied in France and graduated from the renowned Paris fashion school, Studio Berçot, and was mentored by Marie Rucki, the "mother of the fashion industry," and trained under pattern-making master Jack Tournier at Studio Berçot, learning the importance of integrating brands with humanistic values, as well as inheriting the elegance and rigorous standards of classical aesthetics.
太極心旅:淨化與共振的緩時尚 ,以印花、縐摺、印染、刺繡、裁剪、堆疊的技術表現出層次與澎湃意象 。 人身難得,專氣致柔。以雲、水、風、火、自然之物,人身為意象的載體,故說「太極流體」。 清晨的朝霧和曙光漸漸喚醒大地,翠翼朱喙,光彩照人的藍鵲,如雲似風,飛脊沖天,氣勢如虹,他的藍色身影,如一把劍光,瞬間劃破天際。生命的柔軟堅定,風起雲落,如太極的陰陽,水流荒川、花開花謝,無常如是。街頭時尚,在此瞬間炸開,當下即是永恆。

原是藥劑師,35 歲留法,畢業於著名巴黎時裝學校Studio Bercot。師事於服裝界之母Marie Rucki,並跟隨Studio Berçot 的打版大師Jack Tournier,學習品牌與人文融合的重要、承襲古典美學的優雅與嚴謹要求。