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"Cool kids slip through the museum, get possessed by Rococo ghosts, and throw a fashion party on the streets.”
Between classicism and street culture, we summon the spirits of different eras. LONE STAR is a new-generation design brand co-created by a fashion collector and a creative director.

Its inspiration comes from idea-book sketches made during design apprenticeship years around the early 2000s, combined with a cross-generational archive of antique garments. This is the story of a time- traveling cool kid. She entered a museum looking for inspiration, only to be unexpectedly possessed by figures from classical paintings. From that moment on, her
wardrobe became a site of dialogue across time—where streetwear meets the court, military silhouettes collide with lace, and history walks side by side with the present.

LONE STAR excels at deconstructing classical garment structures and haute-level craftsmanship, recomposing them through a contemporary streetwear vocabulary. Each piece becomes a ritual of stylistic possession—where fashion is not worn, but inhabited.

｜OPEN TO PUBLIC AFTER 7PM｜

Forms of Holding explores how garments support and carry the body through layered structures rather than restraint. Built from repeated, folded, and stacked elements, the collection distributes weight across the surface, allowing the body to be surrounded and held. Instead of controlling the silhouette, the garments create an enveloping presence—reflecting how the body is carried by situations, emotions, and time in everyday life.

Inspired by the boundless love of Goddess of the Sea-Matsu, In the name of good, we protect soil and water conservation and marine conservation. By combining religious and humanistic elements with a naval style, Using sustainable fabrics and elements, It combines the blue and white of the ocean with the peach hue of the Mazu pink supercar.
Designing the appearance of a Taiwanese ocean guardian, Like Matsu's good deeds, Like flowing water, it gently nourishes the world.

This collection presents Taiwan as an island shaped by wind, light, mountains, sea, and diverse forms of life. Ridgelines, avian trajectories, and fleeting moments of bloom define its character. Titled Formosa in All Forms, the collection draws on five natural motifs—bird, flower, sound, mountain, and sea—translating Taiwan’s distinctive species and landscapes into color, silhouette, texture, and movement. The season represents the brand’s most expansive natural study to date, articulating the island’s rhythm through material, light, and form.

For this season, Daniel Wong presents WORK IN PROGRESS, returning to the office as the most neutral everyday space.
Not as a symbol, but as a state.
The collection draws from the fundamental structures of the working environment—spatial arrangements, rhythm, repetitive movements, and visual order.
Lines, grids, and systemic elements are translated into prints and garment construction.

The designer looks back on her student years and life in London.
In this city, time is carved and distilled through light and shadow. Architecture shifts its tone between morning mist and evening glow, where shades of grey converse with light, evoking a reconciliation between the past and the present. Through clean, neutral lines, classic silhouettes are refined within the flow of time.

Form is never born in an instant.
It is affirmed, again and again, through time.
Like wheat bowing at harvest, humble in abundance;
like the olive branch, where wisdom turns protection and judgment inward.
Folds carry memory, curves hold emotion,
and drape allows the body to breathe with time.
Through the couture technique Cultivée, accumulation becomes structure,
and form takes shape within time.

| PRESENTATION DATES & OPENING HOURS | 27–29 March · 11:00–18:00
| TICKET PRICE | NT$200 (Full Price) · Cash Only

“Those Who Remain” uses clothing as a vehicle to recount the emotional journey of bereavement and farewell. Presented as a static exhibition, the series focuses on the garments’ still presence—their silhouettes, textures and construction—so visitors may appreciate the subtle beauty of craftsmanship at close range. Through the designer’s bold and extravagant aesthetic, the work intentionally moves beyond functional clothing; it emphasizes artistic expression to fully convey the thematic narrative. The garments are conceived as wearable art objects: each piece both tells a story and serves as a means to bid that story farewell.

｜Press & Media Session｜15:00-17:00（INVITATION ONLY）
｜PUBLIC SHOW｜ 18:00-20:00 (TICKETED)

#DAMUR AW26 is built around “Wellness / Training Culture”—not only aesthetics, but the body’s potential, discipline, and performance. Lightweight, breathable fabrics meet high-stretch technical materials to balance compression and release. The silhouettes are sculpted but never heavy, tracing the body in transformation. The collection also connects to UFC Gym’s training culture—routine, sweat, and explosive energy—translated into a fashion language made for the street by day and the night on your terms. The experience continues with a high-energy after-show workout party.

This season’s collection is built around the concept of the evolution of garments, unfolding through three progressive design stages. The first stage focuses on clean, accessible silhouettes that are easy to wear and commercially approachable, allowing consumers with little fashion experience to engage with the brand. The second stage introduces INF’s signature structural elements, offering entry-level fashion pieces that balance identity and wearability. The third stage evolves into the brand’s iconic deconstructed and transformable designs, created for dedicated followers of the label. The collection is further enriched with original digital hand-drawn prints, adding depth, dimension, and a distinctive visual language to the garments.

The 26AW collection “SA TA NA MA” approaches the body as a site of experience, reflecting shifts in perception through cycles of birth, growth, loss, and renewal.
This season features a collaboration with Kyoto-based SHOBIEN, a Japanese atelier specializing in roketsuzome (wax-resist dyeing) — a textile tradition with over 1,200 years of history, bringing ancient dyeing techniques into contemporary garments.